The Meter Reader: Three Reviews
by Carlina Duan
In January, I experienced loss and a consequent re-shifting of my world. Poetry, of course, provided a new sort of logic for my heart to wrap around its blue noise. In poems, I deposited small pearls of feeling, found new ways to complicate my thought, room to root, then grow. Here are some of my stays from the past few months, books which have rooted me through a soft and fruitful phase of longing, fissure, community, and radical solace in solitude.
听conjures grace, mortality, surprise.听Girmay is a pillar poet for me 鈥� one of the poets I carry into the room each time I venture onto a page. In the title poem, Girmay鈥檚 speaker commands herself: 鈥淥h body, be held now by whom you love. / Whole years will be spent, underneath these impossible stars, / when dirt鈥檚 the only animal who will sleep with you / & touch you with / its mouth,鈥� an impossibly beautiful reminder of earthly presence, an anthem to the rhythms of the body when alive.
听is a delicious delight. Hong, once again, demonstrates her incredible genius in linguistic innovation and formal play. Poems in听Engine Empire听fixate on the binaries (and spaces between) development and labor, wonder and terror, utopia and dystopia. Above all, Hong questions the mythology of a geographic wealth: in the 鈥榃ild West,鈥� in China, in a futuristic digital world.
I love reading Acknowledgments sections of books first, in order to invite into my reading all the other brains and hearts that made a book possible. And in, she honors 鈥渁ll of the women of the world who suffer in silence,鈥� making room for energies & centuries of labor that have otherwise been erased. Scenters-Zapico鈥檚 poems haunt me. 鈥淚 want to corrode my husband鈥檚 / wedding ring. I want to be a lemon / with my equator marked in black ink 鈥� / small dashes to show my shape: pitted & convex,鈥� she writes. Scenters-Zapico tugs apart desire, calls into question cultural traditions that bring about domestic violence, and consequently crafts power.
听is a writer from Michigan. She is the author of the poetry collection听听(Little A, 2017), and the chapbook听听(National Federation Poetry Societies, 2015). Carlina is the winner of multiple Hopwood awards, a Fulbright grant, the Edna Meudt Poetry Award, and the 1st Place Winner of Narrative Magazine's 30 Below Contest. She has received scholarships from Juniper Writers' Institute and the听. Her poems can be found in Black Warrior Review, Tinderbox Poetry Journal, Tupelo Quarterly, The Margins, and elsewhere. She is currently the Co-Editor-in-Chief of听, and an MFA Candidate in Poetry at Vanderbilt University, where she teaches Poetry. She has a sweet tooth.